Jodie sands sayonara movie

film by Roy Lockwood

Jamboree, known as Disc Jockey Jamboree in the United Kingdom, is a American rock and roll film directed by Roy Lockwood. Its story is about a boy and girl, Pete Porter and Honey Wynn (played respectively by Paul Carr and Freda Holloway), who become overnight sensations as a romantic singing duo who run into trouble when their squabbling managers (Kay Medford and Bob Pastene), try to turn them into solo acts.

Against this backdrop in cameo performances appear some of the biggest names of rock and roll in the s lip-syncing to their recordings.

(Please Don't Say) Sayonara (Goodbye) : Jodie Sands : Free ...

(Please Don't Say) SAYONARA (Goodbye) : JODIE SANDS : Free ...

Jamboree! (1957) - Quotes - IMDb

(Please Don't Say) SAYONARA (Goodbye) - JODIE SANDS - YouTube

Overview

Jamboree was among several musical films intended to capitalize on the popularity of rock and roll music, and appears to have derived its name from a show hosted by disc jockey Alan Freed that began airing over Radio Luxembourg in , with Freed recording his featured segments while working for WINS in New York City.

A rivalry developed during this time between Freed and Philadelphia DJ Dick Clark, who both appear in this film. Freed had pioneered rock and roll package tours as well as rock and roll movies (Rock Around the Clock, Don't Knock the Rock and Rock, Rock, Rock); however, U.S. Congressional hearings into payola practices in radio broadcasting eventually ruined Freed's career, while Clark's career was uninterrupted.

Jamboree was essentially a film where the storyline (romance and rivalry between two young rising singers and their managers) was secondary to the musical performances, and the film gained historical importance due to appearances by various performers and DJs.

Featured stars

Jamboree features influential American disc jockeys Alan Freed and Dick Clark appearing as themselves, along with a roster of international DJs in cameo roles and several leading rock, pop and country & rockabilly acts of the time.

Clark acts as the host for a televised musical variety show within the film, with performances by Fats Domino ("Wait and See"); Buddy Knox ("Hula Love"); Jimmy Bowen ("Cross Over"); Charlie Gracie ("Cool Baby"); Jerry Lee Lewis ("Great Balls of Fire", in a version different from his Sun 45 release^[1]); Louis Lymon and the Teenchords ("Gone");^[2]Carl Perkins ("Glad All Over"); Jodie Sands ("Sayonara"); Frankie Avalon ("Teacher's Pet"); Slim Whitman ("Unchain My Heart"); The Four Coins ("A Broken Promise"); and Count Basie and His Orchestra, with Joe Williams on vocals ("I Don't Like You No More").

Connie Francis overdubbed Freda Holloway's singing voice for the film. The cast also includes hit songwriter Aaron Schroeder (as The Songwriter); and cameo appearances by Brazilian singer Cauby Peixoto (as Ron Coby) and British bandleaders Jack Jackson (host of the Decca Records show on Radio Luxembourg) and Jack Payne, among other radio personalities.

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Clark is shown hosting the "second hour" of a "United Charities" telethon to raise money to fight what is described only as "this dreaded disease". Clark introduces various disc jockeys from across the U.S. and Canada, who then introduce the featured acts. (He is listed in the film's disc jockey credits as a DJ at WFIL in Philadelphia, the city where, at the time, he also hosted the original local program that would become American Bandstand.) Later in the film, DJs Jackson (ATV) and Payne (BBC) in London, Werner Goetze (Bayerischer Rundfunk) in Munich, and Chris Howland (Westdeutscher Rundfunk) in Cologne are shown introducing records by "Pete and Honey" on the air.

Finally, performances are the entertainment at a convention of the Music Operators of America, a group of jukebox owners that bought records per week in the s.^[3]

Cast

Production

The film was produced by Milton Subotsky and Max Rosenberg who had previously made the successful Rock, Rock, Rock!.

Warner Bros had the foreign distribution rights for that film and decided to invest in another rock film.

Sayonara cast There, she opens a window and, still unseen, whispers a tearful "sayonara" to Joe, Katsumi, and Ace, although nobody hears her. She continued to perform in clubs until at least January 29, Size

Rosenberg said "Jamboree was a studio picture. We had quote a plot unquote and we had recognizable actors. It was shot on the old Fox studio at Tenth Avenue and 56th Street. It was probably a three-week shoot.”^[4]

Subotsky said "The idea we had was to have a group of DJs across the US and Canada introducing as many of the top rockers as we could line up.

It only meant a couple of days filming for most of the acts, and we just brought them into the studios and put them before the cameras and had them do their latest hit records." The producers wanted Buddy Holly but his manager turned down the offer.^[5]

Investors in the film included Bob Marcucci, Bermie Binnick and Dick Clark.^[6]

Subotsky later claimed the serious plot was insisted upon by Warner Bros.

He reflected "Adding a serious plot like that to a musical can be deadly. I don't think Jamboree worked that well because every time a musical number occurred, it fought the story".^[7]

Warner Brothers Records made a small number of copies of the movie sound-track album, which were sent to disc jockeys as a promotional tool.

However the artists were upset with the billing so Warner Bros decided to cancel plans to release the disc commercially.

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The promotional albums are the only copies left of the Jamboree soundtrack.^[8]

Songs

• 'A Broken Promise' (Four Coins)
• 'Cool Baby' (Charlie Gracie)
• 'Crazy to Care' (Mary Lou Harp)
• 'Cross Over' (Jimmy Bowen)
• 'For Children of All Ages' (Connie Francis)
• 'Glad All Over' (Carl Perkins)
• 'Gone' (Louis Lymon and the Teenchords)
• 'Great Balls of Fire (Jerry Lee Lewis)
• 'Hula Love' (Buddy Knox)
• 'I Don't Like You No More' (Joe Williams)
• 'If Not for You' (Paul Carr)
• 'Jamboree' (Count Basie);
• 'One O'clock Jump' (Count Basie);
• 'Record Hop Tonight' (Andy Martin)
• 'Siempre' (Connie Francis)
• 'Teacher's Pet' (Frankie Avalon, Rocco and the Saints);
• 'Toreador' (Ron Colby)
• 'Twenty Four Hours a Day' (Paul Carr, Connie Francis)
• 'Unchain My Heart' (Slim Whitman)
• 'Wait and See' (Fats Domino)
• 'Who Are We to Say' (Paul Carr, Connie Francis)

Reception

Variety called the film "old-fashioned in concept, reminiscent of the eariy days of talking pictures when producers slapped a group of singing acts together; Perhaps okay for program situations where younger patrons like their vocalistics.

Technical credits are all good."^[9]

Filmink called it "one of a number of low budget rock’n’roll movies made around this time, which took a thin story and shoved them full of musical acts."^[10]

See also

References

External links