Shirin neshat cv
Shirin Neshat
| Iranian photographer and film director Date of Birth: Country: USA |
Content:
- Biography of Shirin Neshat
- Early Career
- Artistic Journey
- Recognition
- Career Highlights
Biography of Shirin Neshat
Early LifeShirin Neshat is an Iranian photographer and filmmaker whose work focuses on the contrasts between Islam and the West, femininity and masculinity, public life and private life, tradition and modernity, and bridging the gaps between these subjects.
She has been widely recognized for her work, with notable awards including the International Prize at the XLVIII Venice Biennale in , the Silver Lion for Best Direction at the 66th Venice Film Festival in , and the title of Artist of the Decade from The Huffington Post. Neshat was the fourth of five children born to wealthy parents, raised in the religious city of Qazvin in northwest Iran, in a "very warm, supportive Muslim family environment," where she learned traditional religious values through her maternal grandparents.
Shirin neshat Working across these mediums, Neshat integrated text from the Iranian poet Furugh Farrukzad—whose work is considered to be one of the most radical expressions of female sensuality and independence. Rather, her work acknowledges the complex intellectual and religious forces that shape the identity of Muslim women worldwide. Archived from the original on May 11, Roger Denson.Her father was a doctor and her mother was a homemaker. Neshat has stated that her father "fantasized about the West, romanticized the West, and slowly rejected all his own values; both parents did. I think what happened is their identity slowly dissolved, they traded it for comfort." As part of this "westernization," Neshat was enrolled in a Catholic boarding school in Tehran.
Through her father's adoption of Western ideologies came an acceptance of Western feminism. Her father encouraged each of his daughters to "be an individual, take risks, learn, see the world," and sent his daughters, as well as his sons, to college for higher education. In , Neshat left Iran to study art at the University of California, Berkeley, earning a Bachelor of Arts, Master of Arts, and Master of Fine Arts degree.
She completed her degree at the University of California, Berkeley in She soon moved to New York, where she quickly realized that the profession she had studied for was not connected to creating art. After meeting her future husband, who managed the Storefront for Art and Architecture - an alternative space in Manhattan - she dedicated 10 years of her life to working with him at the "storefront," which became the place where her true education began.
Early Career
During this time, she did not make any serious attempts at creating art, and the few small attempts she made were later destroyed.
Unveiling shirin neshat biography wikipedia Yuko Takada Keller. In July , Neshat participated in a three-day hunger strike at the United Nations headquarters in New York as a protest against the presidential elections in Iran. During this time, Neshat made a few attempts at creating art, which was subsequently destroyed. Temporarily Unavailable.She was very intimidated by the New York art scene and felt that the art she was creating was not significant enough. She claims, "for ten years I practically didn't make anything, remaining dissatisfied with the art I was doing, and in the end it was destroyed." The Islamic Revolution in Iran made her an emigrant, and she was only able to visit her homeland in , a year after the death of Ruhollah Khomeini.
"It was probably one of the most shocking experiences I ever had. The difference between what I remembered of Iranian culture and what I witnessed was immense. The changes were both frightening and exhilarating; I had never been to a country that was so ideology-driven.
Unveiling shirin neshat biography pdf: She quickly realized that making art wasn't her profession then. Software Images icon An illustration of two photographs. Advanced embedding details, examples, and help! Authority control databases.
The most obvious, of course, was the change in people's appearance and public behavior."
Artistic Journey
As the "Storefront" functioned as a cultural laboratory, Neshat was introduced to artists, architects, and philosophers; she claims that the "storefront" eventually helped reignite her passion for art, prompting her to think deeply about herself and what she wanted to create as an artist.
In , Neshat began seriously pursuing art, starting with photography. Early works by Neshat included photographs such as the Unveiling series () and Women of Allah (), which explored concepts of femininity in relation to Islamic fundamentalism and militancy in her native country. As a way to cope with the discrepancy between the culture she had witnessed and the pre-revolutionary Iranian culture in which she grew up, she began her first mature work - the Women of Allah series - female portraits completely covered in Persian calligraphy.
Her work echoes the social, cultural, and religious order of Muslim societies and the complexities of certain contradictions, such as those between men and women.
Unveiling shirin neshat biography Retrieved March 5, Returning to Iran in , she was stunned by the cultural shifts that had resulted from the Iranian Revolution Audio Software icon An illustration of a 3. The difference between what I remembered of Iranian culture and what I witnessed was immense.Neshat often emphasizes this theme by showcasing two or more synchronized films simultaneously, creating strong visual contrasts through motifs such as light and darkness, black and white, male and female. Neshat has also made more traditional narrative short films, such as Zarin.
Recognition
Neshat's work is dedicated to the social, political, and psychological aspects of the female experience in contemporary Islamic societies.
Although Neshat actively challenges stereotypical perceptions of Islam, her artistic aims are not explicitly polemical. Rather, her work acknowledges the complex intellectual and religious forces that shape the identity of Muslim women worldwide.
Unveiling shirin neshat biography images Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. International Center of Photography. Audio Software icon An illustration of a 3. Advanced embedding details, examples, and help!Utilizing Persian poetry and calligraphy, she has explored concepts such as martyrdom, exile, issues of identity, and femininity. When Neshat turned to film and video, she was influenced by the works of Iranian director Abbas Kiarostami. She stated, "What I like about Kiarostami is that he has created an aesthetic that works so well within limitations.
He doesn't go for the edgy questions that would be attractive to outsiders and even more to Iranians. He keeps a distance. His films are culturally specific, but he doesn't have a fashionable interest in Islam. They're journeys, stories, and while they're somewhat specific to Iran, they're also universal." She directed several video works, including Anchorage (), Shadow under the Web (), Turbulent (), Rapture (), and Soliloquy ().
Neshat's recognition became more international in when she won the International Prize at the XLVIII Venice Biennale with the works Turbulent and Rapture. The project consisted of almost additions and was made by Galerie Jerome de Noirmont. It received critical and public acclaim after its world premiere at the Art Institute of Chicago in May Rapture was Neshat's first attempt at making "pure photography" with the aim of creating an aesthetic, poetic, and emotional shock.
Games of Desire, a video and photo essay, was exhibited from September 3 to October 3 at Gladstone Gallery in Brussels and then in November at Galerie Jerome de Noirmont in Paris.
The film, shot in Laos, tells the story of a small group of elderly people who sing folk songs with sexual lyrics - a practice that is becoming outdated.
Career Highlights
In , Neshat collaborated with singer Sussan Deyhim and created the multimedia play "Logic of the Birds," which was produced by curator and art historian Roselee Goldberg.
The premiere took place at the Lincoln Center Summer Festival in , and the performance then traveled to the Walker Art Institute in Minneapolis and Artangel in London. In this collaboration, as well as in her other projects that combine music, Neshat uses sound to help create an emotional, evocative moment that resonates with audiences from both Middle Eastern and Western cultures.
In an interview with Bomb magazine in , Neshat said, "Music becomes the soul, the personal, the intuitive, and the neutralizing socio-political aspects of the work. This combination of image and music is meant to create an experience that moves the audience." In , she co-directed the film Passage with Philip Glass.
On October 22, , Neshat was featured in an article in The New Yorker.
In , she received the Silver Lion for Best Direction at the 66th Venice Film Festival for her feature film Women Without Men, based on the novel of the same name by Iranian writer Shahrnush Parsipur.
Neshat said about the film, "It was a labor of love for six years. This film speaks to the world and to my country." The film examines the British-American coup that overthrew Iran's democratically elected government and replaced it with monarchy.
In July , Neshat participated in a three-day hunger strike at the United Nations headquarters in New York as a protest against the presidential elections in Iran.