Anne laure folly biography examples
Anne-Laure Folly
Togolese documentary filmmaker (born )
Anne-Laure Folly | |
|---|---|
| Born | () March 31, (age&#;70) Togo |
| Occupation | Filmmaker |
| Awards | Silver Medal, Monte Carlo Television Festival, for Femmes aux yeux ouverts |
Anne-Laure Folly (born March 31, ) is a documentary film maker from Togo.
Work
In Anne-Laure Folly won the silver medal at the Monte Carlo Television Festival for her documentary Femmes aux yeux ouverts (Women with eyes open).
Anne laure folly biography examples wikipedia Will the spontaneous critiques at film festival gatherings only serve for the moment or are they important sites for discussions later reflected in publications? Similarly, Salem Mekuria found herself questioning to what extent she could actually tell the "official story" in Deluge, set in Ethiopia when, in fact, she was not there. Already coming to the medium with certain inhibitions, how are they touched by this medium? Moreover, the traditional role of woman as storyteller also perpetuates the invisibility of women.This film records women from Benin, Burkina Faso, Mali, and Senegal discussing their lives. The opening sequence of this film, her second, has a young woman staring into the camera and reciting the poem:
A good woman should obey her husband at all times,
A good woman should not know how to read,
A good woman's eyes should not be open.
The poem is by Monique Ilboudo of Burkina Faso, one of the women portrayed in the documentary.
The film lets different women from Mali, Senegal, Burkina Faso and Benin talk about how they deal with the issues they are facing. Seven sections cover the subjects of clitoridectomy, forced marriage, HIV/AIDS, struggle, survival, economics and politics.
Anne laure folly biography examples images More significantly, African women's voices within critical discourse in African cinema are becoming visible. Kaito Yamamoto. Diffusion by television, rather than the dominant idea of cinema on the movie screen, is significant to the cinematic practices of African women; and in fact, an important sector of the audio-visual medium that is generally included in the definition of African women's cinema is television. Safi Faye also had a desire to mirror her daughter in terms of her age-related experiences; her daughter and the protagonist were both fourteen years old, an age that she describes as a magical and elusive period of childhood.It shows the paradox in which women have great responsibility for the survival and welfare of their families, but are given little voice in major decisions.
Folly's Les Oubliées (The forgotten women) is a documentary about Angola. After ten years of struggle for independence, the war in Angola had continued for another twenty years.
The film explores the motives of the combatants, which were linked to the cold war, Cuban intervention and the racist South African regime. In this film, Folly again lets women tell their own stories.
Anne laure folly biography examples list Anne-Laure Folly Birthday Countdown 0 0 0. Historically, African filmmaking practices have been uneven along regional lines, where there is an obvious dominance among African countries that were formerly colonized by France, as well as in other "francophone" regions. Her struggle to delineate among "female sensibilities"--white, black western, African--reveals how complex the question of a female sensibility in African women's filmmaking may be. More significantly, African women's voices within critical discourse in African cinema are becoming visible.She shows the women from mid- or close-range, forcing the viewer to focus on their faces rather than their bodies or surroundings, and takes the time to let them say what they have to say, giving a unique women's perspective of the conflict. Folly participates in the film through her voice-over, giving a subjective element. She admits that she is not familiar with Angola, and certainly is not an authority.
Her film Sarah Maldoror ou la nostalgie de l'utopie () is a tribute to Sarah Maldoror, who made the classic film Sambizanga ().
Filmography
- Le Gardien des forces.
Video, 52 min., documentary
- Femmes du Niger. Video, 26 min., documentary
- L'Or du Liptako. Video, 13 min.
- Femmes aux yeux ouverts. Video, 52 min., documentary
- Les Amazones se sont reconverties.Anne laure folly biography examples These questions are asked in the context of male-defined filmmaking, where the principles of making films are formulated within a male frame of reference. Within these diverse experiences there is a convergence of reasons that African women are drawn to cinema: to transmit knowledge to other women who have not had the chance to go to school; to contribute to the development of women and Africa in general; to communicate and reveal the problems and issues in African societies; to materialize one's thoughts and to make sure that they are clear and communicable; to make sense out of one's surroundings; to correct the negative image Africans have of themselves by portraying the humanity of Africa. While many published works on theoretical and critical practices of interpretation have focused on the visual representation of women in African films or the interpretation of the filmmakers' cinematic language, there are a few emerging works that draw directly from African women's voices and experiences. It explores a woman's response to her husband's infidelity.
Video, 13 min., documentary
- From the Tree to the Dugout/Entre l'arbe et la pirogue. 52 min., documentary
- Les Oubliées. 16mm, 52 min., documentary
- Sarah Maldoror ou la nostalgie de l'utopie. 16mm, 26 min., documentary
- Deposez les Lames. 25 min., documentary
References
Citations
Sources